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Nick
Peros
Nick
Peros is a Canadian composer born and raised in Toronto. Nick has
been composing full-time since 1989, after two years of study under Dr.
Tony Dawson at Toronto's Royal Conservatory of Music, completing his ARCT
in Composition exams. His first concert piece, Eden for solo flute, was
premiered in 1987 by Ellen Rae Foubister at York University's Mac Hall.
Since then Nick has had numerous works commissioned, performed, recorded
and broadcast.
Nick's music has received performances across Canada and includes
chamber works, songs, choral works, orchestral works and one symphony.
He has composed music for the Danny Grossman Dance Co., a commissioned
piece entitled Boxed performed numerous times throughout 1989, as well
as music for the modern dance troupe Motus O, The Awoken, a commissioned
work performed at the Toronto Dance Fringe in 1993. Also in 1993
Nick had a concert devoted entirely to his own works performed at The Music
Gallery in Toronto. Entitled "Rhapsodic Visions," the concert featured
various chamber works and songs, including the world premiere of Nocturne
for unaccompanied guitar (commissioned by Canadian guitarist Barton Wigg)
and the world premiere of Two Fugues for String Trio. The special
event concert incorporated dance and theatre as part of the program.
In 1992 Nick was commissioned by Canadian painter Ken Kirkby to compose
a symphony as part of a multi-media event. The project, and the symphony,
are entitled Isumataq. Isumataq is for choir and orchestra and received
special recognition by the Canadian Federal Parliament in March 1993 at
a special House of Commons ceremony recognizing Isumataq as a work important
for Canada and for Canadian culture. The ceremony was a closed ceremony
attended by The Prime Minister, the party Leaders, the MP's of the House
and the Speaker of the House.
Since 1993 Nick has devoted himself exclusively to composing his own non-commissioned
works. His orchestral work Northern Lights was composed in 1993 and
received its world premiere in November 1994 by Symphony Hamilton, conducted
by Clyde Mitchell. In 1997 Northern Lights was performed by Symphony
New Brunswick across a three city Maritime tour and in April of 1998 it
was further performed by the Regina Symphony, conducted by Marc David.
This concert was recorded and broadcast nationally by CBC radio.
Nick composed his Motets throughout 1998. These 20 a cappella choral
works cover the whole range of choral composition-rich polyphony; chordal
pieces; textures of 2, 4 and 5 parts. The Motets were recorded in
June of 1999 by The Renaissance Singers, conducted by Richard Cunningham,
and released nationally on the Phoenix Records label. The world premiere
concert of Motets took place September 24 at Toronto's renowned Ford Centre
Recital Hall.
Nick's music is powerfully expressive, born out of a unique and original
artistic vision, characterized by great skill and craftsmanship.
His harmonies are original and innovative, his music is passionate and
his works, though often chromatic in the extreme, are melodic, tonal and
accessible. Critics and audiences have praised Nick's music across
a wide variety of genres-orchestral, choral, chamber and vocal. He
imbues traditional forms with a spirit and vitality all his own, giving
each and every one of his works the unmistakable stamp of his original
musical language and style.
Currently, Nick is working on an opera, concertos and various choral, orchestral,
vocal and chamber works. His Motets are planned for further
concerts across Canada and internationally, including Washington DC, New
York City, London/England, Rome, Florence and other international cities.
The CD Nick Peros--Motets, on the Phoenix Records label (PHX 0878-2), is
the debut recording of works by Nick Peros.
"One of his most recent works, Prayer of Consolation, a
large scale a cappella choral work that is an artistic response to the events of
September 11, is having it’s World Premiere on September 10, 2002 in Washington,
DC at Washington National Cathedral, performed by The Palestrina Choir,
conducted by Michael Harrison, in commemoration of September 11."
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